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In Suzan-Lori Parks’ highly theatrical, historical drama, Venus, the “Venus Hottentot,” a young Black woman in 1810 South Africa, is whisked away to England under false pretenses and sold to a freak show. After achieving great success for her employers, she attempts to make it on her own, but love and economics collide when she becomes the mistress of a white doctor. Unforgiving, humorous and tragic, Parks deftly blends theater of the absurd and romantic realism to question the perceived value of a black woman's body in a white world.

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