The coursework follows a sequence of studies that introduces basic drawing techniques, media, and composition through observation and analysis. Through a sequence of projects, students will have the opportunity to develop formal artistic skills and spatial relationships while enhancing their conceptual understanding of art as a visual language. Students will work from life and from the imagination to solve visual problems. Evaluation will primarily be based on the quantity and quality of studio production as well as the effort to thoughtfully contribute to critiques and discussions. Both traditional and non-traditional mediums and approaches will be explored. Relevant readings and short papers are to be expected. Not open to seniors. Studio Art lab fee applied. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.

Location

Sage Arts Center Room 103 (MW 10:25AM - 1:05PM)

Buildings are among the most public, visible, and long lived artifacts that a culture creates.  The built environment serves as both a repository of cultural information and exerts an influence that extends beyond the society that created it.  Architecture is art in a physical, three dimensional reality; it responds to the limitations of technology, design, and space while materializing ideals of aesthetics and beauty.  Famous designers, trained architects, anonymous craftspeople, and laypeople alike create architectural forms. This studio art course will introduce the ways in which we design, create, study, and convey architecture.  We will investigate practices of architectural design, history, building craft, and engineering in this class through lectures, research, in-class exercises, and thematic assignments.  The course will culminate with a fully realized design for a small building of your own invention.  This course will challenge you to recognize precedent forms and to create designs of your own, from sketch to 3D model making, that explore basic design elements.  Skills explored in this course can be used to gain a better understanding of the built world around us and pursue further studies in architecture. This course is open to all majors, and prior architecture study is not required. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.

Location

Sage Arts Center Room 103 (MW 2:00PM - 4:40PM)

Designed to introduce students to the art of painting through a traditional and experimental approach. Through a sequence of projects, students will have the opportunity to practice observational painting skills as well as experiment with a variety of non-traditional media and innovative techniques. This course aims to enhance each students understanding of historical and contemporary painting trends through studio practice and classroom dialogue. Ultimately, students will work toward creating mature visual works that communicate meaning effectively. Your paintings, in addition to their many other functions, will serve as documentation of your artistic and intellectual pursuit. Formal and informal critiques will regularly follow the completion of most projects. Readings and short papers are to be expected. Not open to seniors. Studio art lab fee applied. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.

Location

Sage Arts Center Room 101 (TR 2:00PM - 4:40PM)

Designed to introduce students to the art of painting through a traditional and experimental approach. Through a sequence of projects, students will have the opportunity to practice observational painting skills as well as experiment with a variety of non-traditional media and innovative techniques. This course aims to enhance each students understanding of historical and contemporary painting trends through studio practice and classroom dialogue. Ultimately, students will work toward creating mature visual works that communicate meaning effectively. Your paintings, in addition to their many other functions, will serve as documentation of your artistic and intellectual pursuit. Formal and informal critiques will regularly follow the completion of most projects. Readings and short papers are to be expected. Not open to seniors. Studio Art Lab Fee Applied. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.

Location

Sage Arts Center Room 101 (TR 9:40AM - 12:20PM)

A wide range of materials and techniques from metal and welding to assemblage, from wood to experimental methods and media is explored in the service of three dimensional art making. Investigations of the specific qualities of three dimensional media (i.e. space, form, scale, mass) and how they can convey ideas are made within a contemporary framework. Artworks synthesize a particular choice and use of materials and a concept or expression. It is the aim of this class to develop this synthesis, and in so doing, begin to develop the students' own working creative vocabulary. Not open to seniors. Studio art lab fee applied. If the course fills and you would like to be added, please complete this form/link  https://www.sageart.center/resources.

Location

Sage Arts Center Room 103 (TR 9:40AM - 12:20PM)

This class is an introduction to the basic elements of photography with an emphasis on photography as an interpretive and hybrid medium. The student will develop a series of images using various photographic techniques and formats, such as photograms, collages, and digital processes. The class will explore alternative modes of thinking about the photographic frame and ways of presenting images. In conjunction with their studio projects, students will be exposed to current issues in photography and related media through readings and group discussions. No prior experience in photography is needed to successfully complete this class. Not open to seniors. Studio Art lab fee applied. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.

Location

Sage Arts Center Room 108 (TR 9:40AM - 12:20PM)

This class is an introduction to the basic elements of photography, SLR and DSLR camera, darkroom techniques and alternative digital processes with an emphasis on photography as an interpretive and hybrid medium. The student will be asked to develop series of images using various photographic techniques and formats such as photograms (photography without a camera), collages and digital negatives printed on silver photographic paper. The class will explore alternative modes of thinking about the photographic frame and ways of presenting images. In conjunction to their studio projects, students will be exposed to current issues in photography and related media through readings, screenings and group discussions. No prior experience in photography is needed to successfully complete this class. Not open to seniors. Studio Art lab fee applied. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources

Location

Sage Arts Center Room 108 (MW 4:50PM - 7:30PM)

This course merges contemporary art production with technologies and social interventions. Students will combine historical, inter-media approaches with new, evolving trends in social practice. This course offering uses cyberpunk, a subgenre of science fiction, as a framework for examining contemporary art and media production in both theory and practice. Students will deploy introductory level techniques to create new works at the intersection of art, design, and technology. Not open to seniors. Studio Art lab fee applied.

Location

Sage Arts Center Room 102 (MW 10:25AM - 1:05PM)

Ever since the Xerox copy machine was invented, artists have used it as a tool to create images in a genre which has come to be known as which has come to be known as photocopy

art, xerox art or electrographic art. Despite the machine’s intended function to reproduce office documents, artists inventively utilized it as a camera and printing press to make experimental art and fanzines. Students will create an array of compelling and experimental imagery through technological manipulations, such as reducing, enlarging, collage, and adjusting hue and tone, using a photocopy machine as their main tool. This course will involve in-class demos, weekly technical exercise projects to practice applying techniques covered in class, a midterm fanzine project, and a self-proposed final artwork. In addition to projects, there will be screenings and discussions of contemporary and historical works, field trips, and critiques and discussions of student projects.  Studio Art lab fee applied.

Overlaps with DMST 116.

If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.

Location

Sage Arts Center Room 102 (MW 4:50PM - 7:30PM)

This course introduces the basic aesthetic and technical elements of video production. Emphasis is on the creative use and understanding of the video medium while learning to use the video camera, video editing processes and the fundamental procedures of planning video projects. Strategies for the use of video as an art-making tool will be explored. Works by artists and directors critically exploring media of film and video will be viewed and discussed. Video techniques will be studied through screenings, group discussions, readings, practice sessions and presentations of original video projects made during the course. Sophomores and Juniors with officially declared FMS and SA majors are given priority registration; followed by sophomores and juniors with officially declared FMS and SA minors. Studio arts supplies fee: $75. To be added to the rolling waiting list contact Jason Middleton.

Location

Sage Arts Center Room 101 (MW 4:50PM - 7:30PM)

Printmaking is a non-digital, non-photographic manner of visual communication which emphasizes re-production. This course will introduce procedures and techniques for creating multiple works on paper.

Suites of prints will be made from linoleum cuts, woodcuts, drypoint etchings, monotypes and mono-prints. Drawing is key in the development of the reductive, visual language required in printmaking.

Exercises which focus on print-based drawing skills will be assigned throughout. Not open to seniors. Studio Art lab fee applied.

If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.

Location

Sage Arts Center Room 102 (TR 11:05AM - 1:45PM)

Provides a broad framework for contemporary art practice through studio production, discussion, presentation, and critique. While many courses, including Photography, 3-D, Painting, and Digital Art, often start with the medium and work toward the concept, the projects in this class will immediately integrate conceptual challenges with material and technique. While some projects may include traditional media such as pencils and paper, others may invite nontraditional media such as hair, text, earth and sound. Presentations and discussions will address historical and theoretical approaches to art as a way of supporting expansive studio practice. Practice, critique, readings, and discussion combine to place emphasis on the visual investigation necessary to create educated and challenging art. Not open to seniors.  Studio art lab fee applied.

If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.

Location

Sage Arts Center Room 102 (MW 2:00PM - 4:40PM)

The evolving continuation of painting with serious emphasis on independent proposals, research and production. The broadest examination of painting and related media is expected. Group discussion and individual meetings are on a weekly basis. Permission of instructor only. Studio Art lab fee applied.

Location

Sage Arts Center Room 104 (MW 10:25AM - 1:05PM)

The evolving continuation of painting with serious emphasis on independent proposals, research and production. The broadest examination of painting and related media is expected. Group discussion and individual meetings are on a weekly basis. Permission of instructor only. Studio Art lab fee applied.

Location

Sage Arts Center Room 104 (MW 10:25AM - 1:05PM)

The evolving continuation of painting with serious emphasis on independent proposals, research and production. The broadest examination of painting and related media is expected. Group discussion and individual meetings are on a weekly basis. Permission of instructor only. Studio Art lab fee applied.

Location

Sage Arts Center Room 104 (MW 10:25AM - 1:05PM)

We will examine and interrogate the multiple roles that photography and related media plays within our cultural moment with an emphasis on hybrid and multidisciplinary approaches to the medium. The class projects will explore screen and print based photographic collage, appropriation, found imagery and remixing. Interdisciplinary and collaborative approaches will be encouraged. In conjunction to their studio projects, students will view, analyze and read about a range of photographic practices and engage in probing discussions. The students will also keep a process journal where research, inspirations, ideas and experimentations will be published weekly. Basic experience with photography / lens-based media is required.  Studio Art lab fee applied.

Location

Sage Arts Center Room 108 (TR 2:00PM - 4:40PM)

We will examine and interrogate the multiple roles that photography and related media plays within our cultural moment with an emphasis on hybrid and multidisciplinary approaches to the medium. The class projects will explore screen and print based photographic collage, appropriation, found imagery and remixing. Interdisciplinary and collaborative approaches will be encouraged. In conjunction to their studio projects, students will view, analyze and read about a range of photographic practices and engage in probing discussions. The students will also keep a process journal where research, inspirations, ideas and experimentations will be published weekly. Basic experience with photography / lens-based media is required. Studio Art lab fee applied.

Location

Sage Arts Center Room 108 (TR 2:00PM - 4:40PM)

We will examine and interrogate the multiple roles that photography and related media plays within our cultural moment with an emphasis on hybrid and multidisciplinary approaches to the medium. The class projects will explore screen and print based photographic collage, appropriation, found imagery and remixing. Interdisciplinary and collaborative approaches will be encouraged. In conjunction to their studio projects, students will view, analyze and read about a range of photographic practices and engage in probing discussions. The students will also keep a process journal where research, inspirations, ideas and experimentations will be published weekly. Basic experience with photography / lens-based media is required. Studio Art lab fee applied.

Location

Sage Arts Center Room 108 (TR 2:00PM - 4:40PM)

"It’s not climate change—it’s everything change," novelist Margaret Atwood has said. This course uses video and moving image to examine the deep intertwined and intersectional roots of the Ecological crisis, from viral pandemics and racial justice to the disruption of our climate and all the other apocalyptic scenarios we currently find ourselves in. To guide our development of Eco cinematic consciousness, we will study French philosopher Félix Guattari's foundational text, “The Three Ecologies”, to understand how ecologies of mind, media, and environment are interrelated and to complicate our understandings of "nature." Student Projects will involve installation, single channel, sound, and networked-based approaches. Works will be examined within a critical environmental arts framework through readings, critiques, viewings and discussions. Permission of instructor. Studio Art lab fee applied.

Location

Sage Arts Center Room 101 (MW 2:00PM - 4:40PM)

"It’s not climate change—it’s everything change," novelist Margaret Atwood has said. This course uses video and moving image to examine the deep intertwined and intersectional roots of the Ecological crisis, from viral pandemics and racial justice to the disruption of our climate and all the other apocalyptic scenarios we currently find ourselves in. To guide our development of Eco cinematic consciousness, we will study French philosopher Félix Guattari's foundational text, “The Three Ecologies”, to understand how ecologies of mind, media, and environment are interrelated and to complicate our understandings of "nature." Student Projects will involve installation, single channel, sound, and networked-based approaches. Works will be examined within a critical environmental arts framework through readings, critiques, viewings and discussions. Permission of instructor. Studio Art lab fee applied.

Location

Sage Arts Center Room 101 (MW 2:00PM - 4:40PM)

"It’s not climate change—it’s everything change," novelist Margaret Atwood has said. This course uses video and moving image to examine the deep intertwined and intersectional roots of the Ecological crisis, from viral pandemics and racial justice to the disruption of our climate and all the other apocalyptic scenarios we currently find ourselves in. To guide our development of Eco cinematic consciousness, we will study French philosopher Félix Guattari's foundational text, “The Three Ecologies”, to understand how ecologies of mind, media, and environment are interrelated and to complicate our understandings of "nature." Student Projects will involve installation, single channel, sound, and networked-based approaches. Works will be examined within a critical environmental arts framework through readings, critiques, viewings and discussions. Permission of instructor. Studio Art lab fee applied.

Location

Sage Arts Center Room 101 (MW 2:00PM - 4:40PM)

This class will consider the relationship of art exhibition and production in contemporary art practices as part of a gallery practicum. This course is an introduction to art exhibition practices including research, curation, planning, art handling, installation, and hands-on experience in galleries. Students will install exhibitions in the teaching galleries and spaces on campus, including (but not limited to) Hartnett Gallery and Frontispace Gallery. Students will visit galleries and museums and attend exhibition openings, studio visits, and artist lectures. Studio Art lab fee applied.

Location

Sage Arts Center Room 108 (M 10:25AM - 1:05PM)

This course is a continuation the conceptual, technical and aesthetic possibilities learned in previous printmaking courses. Students will expand their technical abilities in relief printing and screen-printing as well as alternative printmaking techniques. While assignments will vary in duration and focus, the content or subject matter of each project is largely self-directed. Students will be challenged to develop technique as well as effective visual messages. A willingness to learn from taking risks is as important as the ability to execute the basic printmaking techniques. The course will consist of demonstrations, discussions, print projects, student presentations, and critiques. Studio Art lab fee applied.

Location

Sage Arts Center Room 102 (TR 4:50PM - 7:30PM)

This course is a continuation the conceptual, technical and aesthetic possibilities learned in previous printmaking courses. Students will expand their technical abilities in relief printing and screen-printing as well as alternative printmaking techniques. While assignments will vary in duration and focus, the content or subject matter of each project is largely self-directed. Students will be challenged to develop technique as well as effective visual messages. A willingness to learn from taking risks is as important as the ability to execute the basic printmaking techniques. The course will consist of demonstrations, discussions, print projects, student presentations, and critiques. Studio Art lab fee applied.

Location

Sage Arts Center Room 102 (TR 4:50PM - 7:30PM)

This course is a continuation the conceptual, technical and aesthetic possibilities learned in previous printmaking courses. Students will expand their technical abilities in relief printing and screen-printing as well as alternative printmaking techniques. While assignments will vary in duration and focus, the content or subject matter of each project is largely self-directed. Students will be challenged to develop technique as well as effective visual messages. A willingness to learn from taking risks is as important as the ability to execute the basic printmaking techniques. The course will consist of demonstrations, discussions, print projects, student presentations, and critiques. Studio Art lab fee applied.

Location

Sage Arts Center Room 102 (TR 4:50PM - 7:30PM)

This course explores of the boundaries of conventional studio production through experimentation with nontraditional materials and invented approaches. It investigates the act of making a mark and probes the motives and impulses inherent in that process. The projects demand formal consideration as well as thoughtful content; along with class participation, they act as documents of an engagement in creative thought, research, and problem-solving. Individual and group critiques occur throughout the course. Markings, Methods, and Materials can be viewed as an extension of any 100-level studio course and provides an opportunity to exercise and explore the techniques and cognitive processes that are utilized and applied in art production and adjacent fields of learning. Permission of instructor required. Studio Art lab fee applied.

Location

Sage Arts Center Room 103 (TR 2:00PM - 4:40PM)

This course explores of the boundaries of conventional studio production through experimentation with nontraditional materials and invented approaches. It investigates the act of making a mark and probes the motives and impulses inherent in that process. The projects demand formal consideration as well as thoughtful content; along with class participation, they act as documents of an engagement in creative thought, research, and problem-solving. Individual and group critiques occur throughout the course. Markings, Methods, and Materials can be viewed as an extension of any 100-level studio course and provides an opportunity to exercise and explore the techniques and cognitive processes that are utilized and applied in art production and adjacent fields of learning. Permission of instructor required. Studio Art lab fee applied.

Location

Sage Arts Center Room 103 (TR 2:00PM - 4:40PM)

This course explores of the boundaries of conventional studio production through experimentation with nontraditional materials and invented approaches. It investigates the act of making a mark and probes the motives and impulses inherent in that process. The projects demand formal consideration as well as thoughtful content; along with class participation, they act as documents of an engagement in creative thought, research, and problem-solving. Individual and group critiques occur throughout the course. Markings, Methods, and Materials can be viewed as an extension of any 100-level studio course and provides an opportunity to exercise and explore the techniques and cognitive processes that are utilized and applied in art production and adjacent fields of learning. Permission of instructor required. Studio Art lab fee applied.

Location

Sage Arts Center Room 103 (TR 2:00PM - 4:40PM)

The Art New York Field Studio course will utilize the resources of New York City as a starting point for creative production. The course will be conducted primarily online, with face-to-face meetings with the professor spread throughout the semester. Projects will take students outside into the city to make art with a rotating variety of media, including photography, video, sound, and installation, with an emphasis on collaboration. Studio Art lab fee applied.

Location

( 7:00PM - 7:00PM)

As an integral part of the internship program, all students participating in ANY will meet weekly with the program's resident director. The class will visit museums, art galleries, film & media screenings, & learn from these visits through readings, papers, presentations & discussions. The colloquium will also serve to provide an intellectual framework for understanding the operations of the NY art world & to allow students to discuss with one another their experiences at the various institutions where they intern. Each student will be expected to make a presentation about their internship to the ANY group. There will be an entrepreneurial component which will introduce the students to a wide variety of entrepreneurial activity & innovative practices within arts and culture. Through guest speakers, seminars & field trips the students will learn how entrepreneurial endeavors develop. By the end of the semester, the students will create their own proposal for an entrepreneurial project.

Location

( 7:00PM - 7:00PM)

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Location

( 7:00PM - 7:00PM)

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Location

( 7:00PM - 7:00PM)

Individual studio work at an advanced level and under the guidance of a member of the studio arts faculty.

Location

( 7:00PM - 7:00PM)

Each student will intern in an institution arranged or approved by the Art and Art History faculty. The purpose of this internship is to give students an insiders' view of the workings of the art world. Students will be expected to document their internship experiences as a means of evaluation at the end of the semester. This program is limited to second, third, fourth and fifth year undergraduate students interested in learning about all aspects of contemporary art, about how art gets made, how it reaches its public, and the processes of its interpretation. Internships will consist of 20 hours per week, for which students will receive eight credits. Permission of instructor required.

Location

( 7:00PM - 7:00PM)

This course is designed to support the transition between undergraduate coursework in the arts and independent, professional, and post-graduate pursuits. The course has three essential components: (1) Studio Production and Critique, (2) the Mechanics of the Profession, and (3) Contemporary Artists and Issues as they relate to Visual and Cultural Theory, Art History, and Art Criticism. By the end of the semester, students will have prepared an artist talk on their work through documentation, explanation, reference, and relevance in the context of contemporary art. This class is limited to and required of senior studio majors. Permission of instructor required. Studio art supplies fee: $50.

Location

Sage Arts Center Room 104 (MW 2:00PM - 4:40PM)

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Location

( 7:00PM - 7:00PM)